Wednesday 11 March 2020

Disney Afternoon Marathon; Talespin: Ok, who got into the Disney Coke supply again?

Honestly, that's the best way I can describe this show's pitch. Why? How else do you describe the logical thinking behind taking characters from The Jungle Book, and making a show all about the cargo delivery service? I know I haven't seen the animated Jungle Book in around 2 decades, but to my knowledge, Baloo wasn't a pilot.


I mean, in terms of execution, it's fine for a slice of life show, but aside from questioning how it came to be, that's unfortunatenly not the only issue the show has. With the exception of Shere Kahn and the new Sky Pirates, I wasn't a fan of the cast as a whole, especially Molly. Normally I base these reviews on early episodes, giving somewhere between 5 and 10 episodes to get a feel on how the show gets going. I won't lie, after the episode with Kit as Molly's babysitter, I started skipping over any episode that had Molly in the title. It's rare that I hate a character that much in that little time, but after that episode, she just constantly came off as "Ok, you're going to be the little, little kid stereotype. That's all you're going to be, moving on". What doesn't help at all is that after seeing Gossolin in Darkwing Duck, a kid character done right in my opinion, and the fact that the other kid character, Kit, doesn't really cancel out the problems I have with Molly, as he comes off more as someone who's just there for the ride.


Another issue I have is that it felt like a lot of the episode premises and gags rely on a lack of information, or just Baloo being a jerk to those around him. Though he has his moments when he's pulling off something clever, I don't get the same thrill from it compared to if I was watching something like Recess (better saved for another review as I don't recall reviewing it yet?). It makes the show hard to watch for me, because while the animation and score is nice (it's hard to find faults in the animation in a show made by a company founded on pushing animation as a cinematic art). It's just hard to find things in the show that I like, or feel like they're connected to the source. Everything feels like it was in a rush, to try and justify making a show about their (at the time, I'm not sure about nowadays) most financially successful movies. Hopefully fresh blood, and a new setting helps show the positives of the cast when the new season of Ducktales starts airing in April? This just makes me glad that I'm not coving some of the less favorable shows in this marathon. See you next week for Chip and Dale: Rescue Rangers I guess....

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